Ever since traveling across Cuba as a teenager in 2006, I’ve been fascinated by the Caribbean and Latin America. That trip inspired me to learn Spanish, study abroad in Mexico, and write a college honors thesis at Harvard about the Batista and Trujillo regimes in Cuba and the Dominican Republic respectively. Upon graduation, I merged this interest with my desire to serve my country by joining the Coast Guard – the military branch most involved in the Western Hemisphere. This proved to be a wise decision, as the two years I spent stationed in Puerto Rico and patrolling the Caribbean were two of the most enjoyable years of my life.
Set in the Dominican Republic, The Feast of the Goat explores the 1961 assassination of the monstrous dictator Rafael Trujillo from the perspectives of Trujillo himself, the assassins, and a Dominican emigrant who has returned to her native land decades later. Vargas Llosa recreates the suffocating atmosphere that pervaded the country in a way that no historian ever could. I had heard that the terrible legacy of Trujillo can still be felt today in the Dominican Republic, but I didn’t fully appreciate this until visiting Santo Domingo in 2017.
'The Feast of the Goat will stand out as the great emblematic novel of Latin America's twentieth century and removes One Hundred Years of Solitude of that title.' Times Literary Supplement
Urania Cabral, a New York lawyer, returns to the Dominican Republic after a lifelong self-imposed exile. Once she is back in her homeland, the elusive feeling of terror that has overshadowed her whole life suddenly takes shape. Urania's own story alternates with the powerful climax of dictator Rafael Trujillo's reign.
In 1961, Trujillo's decadent inner circle (which includes Urania's soon-to-be disgraced father) enjoys the luxuries of privilege while the…
This famous short story of Santiago, Manolin, and the marlin requires several readings. From the Cuban seaside village where Santiago and Manolin tend their gear and talk baseball to the cerulean blue waters of the Florida Straits where Santiago struggles with the marlin, so much is happening beneath the surface of Hemingway’s sentences. Having sailed these same waters with the Coast Guard, I have seen their majestic beauty and can understand why Hemingway choose them as the setting for arguably his greatest work.
This powerful and dignified story about a Cuban fisherman's struggle with a great fish has the universal appeal of a struggle between man and the elements, the hunter with the hunted. It earned Hemingway the Nobel prize and has been made into an acclaimed film. Age 13+
Esmeralda Santiago portrays the 19th-century journey of Ana Cubillas from imperial Spain to colonial outpost Puerto Rico. Cubillas has a complicated relationship with her family, slavery, and Puerto Rico, and the reader never knows quite what to think of her. Like Cubillas, Puerto Rico itself is complicated. I lived in San Juan for two years and grew to love the island, but I never felt like I quite understood it – any outsider who says they do is probably lying.
As a young girl growing up in Spain, Ana Larragoity Cubillas is powerfully drawn to Puerto Rico by the diaries of an ancestor who traveled there with Ponce de Leon. And in handsome twin brothers Ramon and Inocente—both in love with Ana—she finds a way to get there. Marrying Ramon at the age of eighteen, she travels across the ocean to Hacienda los Gemelos, a remote sugar plantation the brothers have inherited. But soon the Civil War erupts in the United States, and Ana finds her livelihood, and perhaps even her life, threatened by the very people on whose backs…
Three American men meet aboard a ship destined for 1950s Port-Au-Prince. These men, each of whom is a small-time big shot with inconsistent backgrounds, arrive in Haiti as “Papa Doc” Duvalier consolidates power. Much of this timeless story takes place in and around a darkly mysterious hotel that caters to an ebbing flow of foreigners. I say “timeless” because over half a century has passed since Greene wrote The Comedians, and the country of Haiti remains a mystery to that small subset of Americans that has deigned pay attention to it.
Three men meet on a ship bound for Haiti, a world in the grip of the corrupt "Papa Doc" and the Tontons Macoute, his sinister secret police. Brown the hotelier, Smith the innocent American and Jones the confidence man are the "Comedians" of Graham Greene's title.
Set in a fictional town on Colombia’s Caribbean coast during the 1950’s“violencia,” this novella portrays the seemingly mundane life of an anonymous retired military officer and his wife. The aging couple struggles against poverty, government corruption, and an overwhelming feeling of insignificance. As the colonel’s life loses meaning, he eventually realizes that he has nothing left but the rooster that he is readying for a cockfight. I read this novella after training with the Colombian Navy in Cartagena, and it took me only a few pages to realize that García Márquez is a genius.
Written with compassionate realism and wit, the stories in this mesmerizing collection depict the disparities of town and village life in South America, of the frightfully poor and outrageously rich, of memories and illusions, and of lost opportunities and present joys.
In 1991, young Galán Betances escapes Cuba, leaving behind his mother and developmentally challenged sister, Gabriela. In 2012, Pat McAllister joins the Coast Guard, determined to live up to the example set by his older brother, Danny, who was injured in Iraq.
When Galán and Pat meet as neighbors in San Juan, Puerto Rico, they build a friendship based on their shared status as outsiders and their common desire to heal. With Gabriela at risk of being committed to a mental health facility in Cuba, Galán arranges to have her smuggled to Puerto Rico via the treacherous Mona Passage. Pat, whose Coast Guard cutter patrols these waters for cocaine traffickers and migrants, must decide if he is willing to risk everything to unite a family.
I grew up a fan of an evening news segment called “On the Road with Charles Kuralt.” Kuralt spotlighted upbeat, affirmative, sometimes nostalgic stories of people and places he discovered as he traveled across the American landscape. The charming stories he told were only part of the appeal; the freedom and adventure of being on the open road ignited a spark that continues to smolder. Some of my fondest memories from childhood are our annual family road trips, and I still jump at the chance to drive across the country.
Head West in 1865 with two life-long friends looking for adventure and who want to see the wilderness before it disappears. One is a wanderer; the other seeks a home he lost. The people they meet on their journey reflect the diverse events of this time period–settlers, adventure seekers, scientific expeditions, and Indigenous peoples–all of whom shape their lives in significant ways.
This is a story of friendship that casts a different look on a time period which often focuses only on wagon trains or gunslingers.
After four years of adventure in the frontier, Win Avery returns to his hometown on the edge of the prairie and tracks down his childhood friend, Jeb Dawson. Jeb has just lost his parents, and, in his efforts to console him, Win convinces his friend to travel west with him―to see the frontier before it is settled, while it is still unspoiled wilderness.
They embark on a free-spirited adventure, but their journey sidetracks when they befriend Meg Jameson, an accomplished horsewoman, lost on the Nebraska prairie. Traveling together through the Rocky Mountain foothills, they run into Gray Wolf, an Arapaho…
